Throughout my artistic journey, I have focused on the themes of childhood dreams, the underwater realm, and various social issues. Childhood nostalgia is one of my cherished subjects, allowing me to reflect on my vibrant early years; images of flying kites, spinning tops, and a myriad of broken and restless curved lines come alive on my canvas. Viewers will encounter a rich palette that symbolizes both my own and the universal experience of colorful childhood days. The esteemed Indian artist Ramananda Bandhopadhyay has remarked on my work, stating, "Whoever takes Babul's paintings home carries with them both the sky and the earth." My use of bold brush strokes, robust lines, and thick, vibrant colors delineates my subjects in semi-abstract and abstract forms. The inspiration for my Underwater World series emerged during my visit to St. Martin's Island, located off the southernmost coast of Bangladesh. There, I discovered a vibrant and carefree life beneath the waves. I endeavor to depict the colorful existence of small fish, lush greenery, and unfamiliar flora—all within the aquatic environment, particularly in the depths surrounding St. Martin's Island. Reflecting on those experiences fuels my creativity, and the act of painting with my brush and colors brings me joy, wisdom, strength, and deeper insight.

Gaza the City of Destruction: In my artistic endeavors, I aim to highlight the inhumanity and brutality experienced in Gaza City. This cruelty has persisted for an extended period, and my heart is heavy with sorrow when I contemplate the circumstances in Gaza. Throughout this series of works, my primary emphasis is on the dire situation unfolding in that region. Gaza has become a poignant emblem of devastation, with the majority of its structures reduced to ruins by the Israeli military. The city is now unrecognizable, transformed into a landscape of debris. Approximately 1.7 million individuals, representing over 80% of Gaza's population, have been displaced, and the death toll has surpassed 55,000. The Palestinian people can no longer identify their city; instead, they are confronted with a scene of destruction, suffering, and despair. Almost every edifice has been leveled, resulting in extensive mounds of concrete and twisted steel.